开学不到一周，已经两次被当作学生了，一次是图书馆还书出来时被保安小同志招呼说同学请走出口的通道，一次就是今天所谓的教师节了。
   难得碰上教师节这天俺正好有课，才知道这一天校门口安排了几个漂亮小妹妹献花的，也不知道是今年开始的新花招还是往年一贯的传统？每个小姑娘抱着一束康乃馨，每支花上还可爱地系了一张小卡片。俺左手端了个水杯，右手拎着沉沉的包，鼻梁上还架着副眼镜（个人感觉还蛮老师范儿的），急匆匆地走近校门。一个抱花的姑娘打量了一下俺，迟疑地迈出微微一小步，右手抬起似乎要去拈出一支花来，但在0.5秒之后又迅速地收回了，脚步也退了回去，敢情还是无法确定俺的身份吧。急着赶路，俺也没计较了，迟到事大，速度要紧。
   上完课回家路上碰到一男同事，顺路聊了聊，他问我今天收到什么礼物没，我笑说礼物没有，只有短信若干。他也说只是进门时收到一朵花。我才瞥见他自行车篮子里那朵粉红色娇滴滴的康乃馨。
   毕业出来工作也有好些年了吧，被当作学生还是每年的家常便饭，去年教的新生熟悉了之后也透露小秘密，说第一天上课看到多媒体教仪旁的我，都以为是别班的同学过来帮老师弄电脑的.姐姐我一大把年纪了看上去还那么像学生吗？恩，这次给新生上课之前得做些改变了。

     暑假又在浑浑中度过了，该做的事情依然堆到了假期的最后一个星期，仿佛还是当年那个在假期快结束时才赶着完成作业的孩子，这种“不到最后一秒不着急，到了最后一秒也未必着急”的性格伴随了我好多年。和妈妈的急性子完全相反，我想我在性情脾气上是随老爸的，什么事情都不急不躁，随和又平和，真是淡定得自己都要佩服起自己来了。
     前几日和一个许久不见的朋友吃饭，聊到年龄时，对方惊讶于我奔三的现状。即将告别二字开头的年纪，跨入三十阵营，在很多女性心里应该是很恐慌的吧，且不说单身女子，就连我的一个已婚多年的女友也在三十岁生日来临前心慌不已。我细想了一下，发现自己并不觉得多么恐惧，既然无法返老还童回到青涩美丽的少女时期，也不能让时间定格遂了“不想长大就不长大”的愿，就只好接受岁月叨叨催人老的事实了。
     虽然每天打开电脑，看着整个世界充斥着这样那样让人沮丧甚至有些崩溃的新闻，我还是希望自己能保持平和的心态，学会做一个懂得欣赏美的人，一个心里有爱的人，愿岁月静好，家人安康。

《游园惊梦》是2001年上映的电影了，以前有所耳闻，但是一直没看过，突然有了想看一下的兴致是因为上周末芒果台的快乐大本营请到了吴彦祖当嘉宾，里面闪现了一点点片中场景，才忽然想起本家兄弟还和王祖贤拍过这个片子，赶紧下载来看看。电影大概算是同性恋题材的，故事发生的年代背景环境都被淡化了，王祖贤扮演的荣兰和宫泽理惠扮演的翠花之间的爱情被导演处理得比较隐晦，让人觉得暧昧又压抑，缱绻又含蓄。电影的前半部分非常惊艳，场景的设计，镜头的切换都能感觉出拍摄者的用心，特别是昆曲《牡丹亭》的几个唱段，人物衣着打扮，昆曲唱腔（用的是王奉梅和杨娟的原唱），给人的感觉就四字：美轮美奂。美中不足的是王祖贤和宫泽理惠毕竟不是戏曲演员，虽然身段手势比划得煞有介事，但是总觉得过于刻意，拿捏得不是很到位，而且穿着旗袍的宫泽理惠尽管看上去端庄秀丽，有那么一段古典美，但是怎么看还是一日本女人。电影后半部分着力于故事情节的推进，所以昆曲的陪衬就少了些，吴彦祖扮演的刑志刚的到来，打破了荣兰和翠花平静的生活，激起了荣兰心中女性原始的那一面，但这段来去匆匆的感情就好像是深秋刮起的最后一场风，最后剩下的依旧是那两个如烟似水的落寞女子相互依靠，感叹岁月匆匆。电影开篇的一句话也许最能概括：情不知所起，一往而深。



HE'S JUST NOT THAT INTO YOU《他其实没有那么喜欢你》演绎的是现代都市年轻人之间的感情故事。看很多帖子里女生哀怨地纠结着对方是否喜欢自己这个问题的时候，我总会想到这个片子的名字。也许在第一次的见面中，他表现得温文尔雅，非常绅士风度，但是不要自我陶醉，如果之后他不联系你，不要去为他或者为自己找借口：他太忙了吧？他把我的电话号码弄丢了吧？他给我打了电话但我恰好关机了吧？这样翻来覆去地找答案，其实答案只有一个：he's not that into you.这部片子实在适合那些迷失在自我沉醉中找不着北的人看看，当然片中也有其他几段感情故事，讲的道理都还蛮值得现在的年轻人借鉴的。

   最近大门不出，二门不迈，进取不思，正业不务，窝在家里看闲书，一本是宗白华的《美学散步》，一本是连岳的《我爱问连岳》，前一本好比阳春白雪，后一本充满世间情感百态。两本书放在一起提到，多少有点别扭，但是也有一个共同点：都厚得像砖头，目前都只被我啃了一小口。喜欢连岳说话的风格，直言不讳，犀利爽快，以下是摘录的一些书中文字：

宁愿当残损的先知，也不要当健全的奴隶；宁愿要一个有责任感、正常、温暖的单亲家庭，也不要一个集中营一样的婚姻地狱。

 

我还是更愿意人有一种可有可无的随意，可是可否的从容，失去一个爱人，再去找一个爱人，挽救不回一段爱情，就创造新的一段爱情。

 

人生是孤单的，因此要找个有趣的人共度。这句话的前提，也是要求人要追求聪明，只有聪明的人，才能发现另一个有趣的人吧？

 

如果坚持认为婚姻应该具有灵魂出口的功能，那就什么时候都不能将就，无论是20、30还是40。

 

我们的内心都只是一个小孩。小孩有时候轻微自伤，破坏原本自己最喜爱的玩具，这些都是常见的行为，其目的，不外乎是要告诉最爱他的父母：你们要来哄我啦！我们若是爱上了一个人，就会向他暴露出孩子的面目来。

 

幸福的本质在于我们敢于作出决定，而不是只作出正确的决定。那些永远不敢作出决定的人，从来不会作出错误的判断，但是却越来越不幸福。

 

对许多男人来说，并不是因为爱情才和另一个女人结为家庭，他只是需要家庭这种符号，这样他不会承受社会压力，可以传宗接代，他可以轻松走完与“家庭”有关的所有程序，却不需要承担爱情的压力。这种冷酷从来都需要牺牲品：一个女人；被认为适合当老婆的女人。

 

我们不可能兼得所有的好处，就像一头驴不能同时吃两堆不在一处的干草一样。可是人和驴不一样，人想同时得到很多好处。也就是说，人很贪婪，而且很容易纵容自己的贪婪。在某种程度上，判断谁比谁更蠢，驴更有发言权。

 

佛说过，不要指责他人，因为你用一个手指点着他人的同时，有四个手指是指着自己的。

 

幸福是每天都要有的，像空气、水和盐一样，不能把它们都留在未来。还好，很多细微的事情能给我们带来幸福。每天留半个小时给自己，期间，命令自己无所事事；或者做一件与当下没有任何关系的事情，读一本闲书或哲学书，读诗甚至作诗；每星期让自己放纵地享受一次美食，不考虑热量与体重。。。这种定期的疏离，可以为自己找来当下的幸福。

 

你说，“不是他们不可恨，是我知道，恨他们，我过不好。所以我选择快点忘记，结果我就真的把大部分全忘了。”这个道理很多女人都懂，可惜她们做不到。你能不恨，能忘记，这是不容易得到的品质，它如此之少，上帝是通过掷骰子的方式选中一些人赐予的。如果有上帝的话。

 

不怒，不恨，那是神的特征：“有恩惠，有怜悯，不轻易发怒，大有慈爱。”人，通过艰难的心智努力，才有可能趋近于这个境界。

假期里睡了很多大觉，吃了很多东西，也看了很多大片。

 

《八月迷情》已经不算是新片了，最早听说此片的时候还是去年9月给新生的第一节课上，一个女生推荐给大家的，是那个夏天最感动她的一个片子，我记下了片名，却直到半年后的冬天才想到下载来观看，却可以算作这个冬天让我觉得最温馨的一部影片。在这部关于亲情，爱情和音乐的电影中，音乐很赞，男女主角很漂亮，小孩如天使般纯真，故事也有一个近乎童话般完美的happy ending。

 

假期开始的时候看过威尔史密斯的新片《七磅》，应该怎么评价这部电影呢？有朋友在QQ签名里曾说过，看这部片子，如果你能坚持到最后五分钟，你就赢了。这是一部关于赎罪与救赎的影片，整部电影的前一个小时进展得有些拖沓，缺乏亮点，而且因为导演想将那个悬念保持到最后一刻，前面的剧情有点让人迷糊，因此要坚持看下去的确是需要耐性的。不过经过了前面故事情节的铺垫（尽管铺垫得颇为让人犯困），影片的最后确实能给观众带来感动。威尔史密斯扮演的角色是个悲情人物，从影片一开始脸上就有种浓得化不开的悲伤，但是我并不觉得他在演技上有什么突破，也许正是因为他脸上挂着的那一副从始至终一成未变的纠结愁苦表情，让人觉得表演太单一缺乏层次感吧。从片中还了解到一件事，原来水母也可以用来作为自杀工具，不过看那个过程未免也忒痛苦了吧。

 

《马达加斯加2》和《闪电狗》都是动画片，我更喜欢后者。或许是因为对《马1》的喜爱让我对第二部期望值过高了吧，《马2》是一部很热闹的动画片，但是笑点没有第一部多，相比起来闪电狗Bolt当中的电脑特技和故事情节更吸引我一些。

Complete list of Academy Award winners and nominees

Best picture

'The Curious Case of Benjamin Button'
'Frost/Nixon'
'Milk'
'The Reader'
WINNER: 'Slumdog Millionaire'

Director
WINNER: Danny Boyle, 'Slumdog Millionaire'
Stephen Daldry, 'The Reader'
David Fincher, 'The Curious Case of Benjamin Button'
Ron Howard, 'Frost/Nixon'
Gus Van Sant, 'Milk'

Actor
Richard Jenkins, 'The Visitor'
Frank Langella, 'Frost/Nixon'
WINNER: Sean Penn, 'Milk'
Brad Pitt, 'The Curious Case of Benjamin Button'
Mickey Rourke, 'The Wrestler'

Actress
Anne Hathaway, 'Rachel Getting Married'
Angelina Jolie, 'Changeling'
Melissa Leo, 'Frozen River'
Meryl Streep, 'Doubt'
WINNER: Kate Winslet, 'The Reader'

Supporting actor
Josh Brolin, 'Milk'
Robert Downey Jr., 'Tropic Thunder'
Philip Seymour Hoffman, 'Doubt'
WINNER: Heath Ledger, 'The Dark Knight'
Michael Shannon, 'Revolutionary Road'

Supporting actress
Amy Adams, 'Doubt'
WINNER: Penelope Cruz, 'Vicky Cristina Barcelona'
Viola Davis, 'Doubt'
Taraji P. Henson, 'The Curious Case of Benjamin Button'
Marisa Tomei, 'The Wrestler'

Animated feature
'Bolt'
'Kung Fu Panda'
WINNER: 'WALL-E'

Adapted screenplay
'The Curious Case of Benjamin Button,' screenplay by Eric Roth, screen story by Eric Roth and Robin Swicord
'Doubt,' written by John Patrick Shanley
'Frost/Nixon,' screenplay by Peter Morgan
'The Reader,' screenplay by David Hare
WINNER: 'Slumdog Millionaire,' screenplay by Simon Beaufoy

Original screenplay
'Frozen River,' written by Courtney Hunt
'Happy-Go-Lucky,' written by Mike Leigh
'In Bruges,' written by Martin McDonagh
WINNER: 'Milk,' written by Dustin Lance Black
'WALL-E,' screenplay by Andrew Stanton, Jim Reardon; original story by Andrew Stanton, Pete Docter

Art direction
'Changeling,' James J. Murakami; set decoration: Gary Fettis
WINNER: 'The Curious Case of Benjamin Button,' Donald Graham Burt; set decoration: Victor J. Zolfo
'The Dark Knight,' Nathan Crowley; set decoration: Peter Lando
'The Duchess,' Michael Carlin; set decoration: Rebecca Alleway
'Revolutionary Road,' Kristi Zea; set decoration: Debra Schutt

Cinematography
'Changeling,' Tom Stern
'The Curious Case of Benjamin Button,' Claudio Miranda
'The Dark Knight,' Wally Pfister
'The Reader,' Chris Menges and Roger Deakins
WINNER: 'Slumdog Millionaire,' Anthony Dod Mantle

Costume design
'Australia,' Catherine Martin
'The Curious Case of Benjamin Button,' Jacqueline West
WINNER: 'The Duchess,' Michael O'Connor
'Milk,' Danny Glicker
'Revolutionary Road,' Albert Wolsky

Documentary feature
'The Betrayal (Nerakhoon)'
'Encounters at the End of the World'
'The Garden'
WINNER: 'Man on Wire'
'Trouble the Water'

Documentary short
'The Conscience of Nhem En'
'The Final Inch'
WINNER: 'Smile Pinki'
'The Witness -- From the Balcony of Room 306'

Film editing
'The Curious Case of Benjamin Button,' Kirk Baxter and Angus Wall
'The Dark Knight,' Lee Smith
'Frost/Nixon,' Mike Hill and Dan Hanley
'Milk,' Elliot Graham
WINNER: 'Slumdog Millionaire,' Chris Dickens

Foreign language film
'The Baader Meinhof Complex,' Germany
'The Class,' France
WINNER: 'Departures,' Japan
'Revanche,' Austria
'Waltz with Bashir,' Israel

Makeup
WINNER: 'The Curious Case of Benjamin Button,' Greg Cannom
'The Dark Knight,' John Caglione Jr. and Conor O'Sullivan
'Hellboy II: The Golden Army,' Mike Elizalde and Thom Floutz

Original score
'The Curious Case of Benjamin Button,' Alexandre Desplat
'Defiance,' James Newton Howard
'Milk,' Danny Elfman
WINNER: 'Slumdog Millionaire,' A.R. Rahman
'WALL-E,' Thomas Newman

Original song
'Down to Earth' from 'WALL-E,' music by Peter Gabriel and Thomas Newman, lyrics by Peter Gabriel
WINNER: 'Jai Ho' from 'Slumdog Millionaire,' music by A.R. Rahman, lyrics by Gulzar
'O Saya' from 'Slumdog Millionaire,' music and lyrics by A.R. Rahman and Maya Arulpragasam

Animated short
WINNER: 'La Maison en Petits Cubes'
'Lavatory -- Lovestory'
'Oktapodi'
'Presto'
'This Way Up'

Live-action short
'Auf der Strecke (On the Line)'
'Manon on the Asphalt'
'New Boy'
'The Pig'
WINNER: 'Spielzeugland'

Sound editing
WINNER: 'The Dark Knight,' Richard King
'Iron Man,' Frank Eulner and Christopher Boyes
'Slumdog Millionaire,' Glenn Freemantle and Tom Sayers
'WALL-E,' Ben Burtt and Matthew Wood
'Wanted,' Wylie Stateman

Sound mixing
'The Curious Case of Benjamin Button,' David Parker, Michael Semanick, Ren Klyce and Mark Weingarten
'The Dark Knight,' Lora Hirschberg, Gary Rizzo and Ed Novick
WINNER: 'Slumdog Millionaire,' Ian Tapp, Richard Pryke and Resul Pookutty
'WALL-E,' Tom Myers, Michael Semanick and Ben Burtt
'Wanted,' Chris Jenkins, Frank A. Montaño and Petr Forejt

Visual effects
WINNER: 'The Curious Case of Benjamin Button,' Eric Barba, Steve Preeg, Burt Dalton and Craig Barron
'The Dark Knight,' Nick Davis, Chris Corbould, Tim Webber and Paul Franklin
'Iron Man,' John Nelson, Ben Snow, Dan Sudick and Shane Mahan

 

   刚看完Desperate Housewives第100集，被感动得一塌糊涂，一张纸巾拽在手里就没放下过。确切来说也没有看完，因为首发的版本从中间开始就出现严重的画面抖动问题，以至于关于Lynette那一部分就跳过了，改天得重新下载一个好的版本再看看。不过我确信让我流泪的原因不会是画面的抖动，而是里面一个个温馨动人的小情节。

   DH每一集的剧情一向都设计得不错，开头和结尾的旁白尤其出彩。作为DH的第100集，故事情节的编排上自然也下了很大功夫。开头以一个新角色——小镇里的维修工人Eli出场，看似和前面的剧情毫无关联，但是却通过Eli这个小人物的突然病逝引发的每个主妇的回忆来将故事串联。在每个人的回忆里，Eli都是那么自然而然的出现在紫藤街人们的生活里，为人诚恳真挚，值得信赖，每次都提着他的工具箱，认真地为她们修好破损的物件，同时，也在不经意间帮助她们找回对生活的信心，对梦想的追求，对追寻真爱的执着。正如旁白所说，在Mary自杀事件之后，深受触动的Eli默默对上帝许下了诺言：在以后的生活中，他会尽力帮助所有能帮助的人，帮助他们fix their lives，而且在那之后他也在一直兑现着自己的诺言。

   其实我们都是生活中再平凡不过的小人物，而我们周围同样也有着很多平凡的人，在自己力所能及的情况下，付出彼此的关爱，哪怕只是一点点，或许也能make some difference.

   Desperate Housewives应该是我追的最久的美剧了，一集不落得看到至今，到了第五季，差不多每集都有一些小感动。被剧集感动到流泪也许会被认为很傻，但是我觉得如果什么都无法让自己感动的时候，那才是最可怕的。第100集的结尾并不像往常一样留下一个悬念，而是以一集作为一个完整的单元，能够让看过的人都有些感触，就是成功的了。

   看完之后到百度贴吧去转了转，有网友在讨论片子画面发抖的问题，其中有个回复很有才：其实。。你可以和它一起抖 当你们的频率一样时 你就感觉不到它在抖了～

有些伤痛，有些感动，

有些收获，有些失落，

所有的欢笑和眼泪，

所有的开心与不开心，

统统都留在2008吧。

Farewell,2008!

Hello,2009!

'Come in,' God said to me, 'so, you would like to interview Me?'

'If you have the time,' I said.

He smiled through His beard and said: 'My time is called eternity and is enough to do everything; what questions do you have in mind to ask me?'

'None that are new to you. What's the one thing that surprises you most about mankind?'

He answered: 'That they get bored of being children, are in a rush to grow up, and then long to be children again. That they lose their health to make money and then lose their money to restore their health. That by thinking anxiously about the future, they forget the present, such that they live neither for the present nor the future. That they live as if they will never die, and they die as if they never had lived...'

His hands took mine and we were silent. After a long period, I said, 'May I ask you another question?'

He replied with a smile.

'As a Father, what would you ask your children to do for the new year?'

'To learn that they cannot make anyone love them. What they can do is to let themselves be loved.

To learn that it takes years to build trust, and a few seconds to destroy it.

To learn that what is most valuable is not what they have in their lives, but who they have in their lives.

To learn that it is not good to compare themselves to others. There will be others better or worse than they are.

To learn that a rich person is not one who has the most, but is one who needs the least.

To learn that they should control their attitudes, otherwise their attitudes will control them.

To learn that it only takes a few seconds to open profound wounds in persons we love, and that it takes many years to heal them.

To learn to forgive by practicing forgiveness.

To learn that there are persons that love them dearly, but simply do not know how to show their feelings.

To learn that money can buy everything but happiness.

To learn that while at times they may be entitled to be upset, that does not give them the right to upset those around them.

To learn that great dreams do not require great wings, but a landing gear to achieve.

To learn that true friends are scarce, he/she who has found one has found a true treasure.

To learn that they are masters of what they keep to themselves and slaves of what they say.

To learn that they shall reap what they plant; if they plant gossip they will harvest intrigues, if they plant love they will harvest happiness.

To learn that true happiness is not to achieve their goals but to learn to be satisfied with what they already achieved.

To learn that happiness is a decision. They decide to be happy with what they are and have, or die from envy and jealousy of what they lack.

To learn that two people can look at the same thing and see something totally different.

To learn that those who are honest with themselves without considering the consequences go far in life.

To learn that even though they may think they have nothing to give, when a friend cries with them, they find the strength to appease the pain.

To learn that by trying to hold on to love ones, they very quickly push them away; and by letting go of those they love, they will be side by side forever.