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鄢醒YanXing

artistbasedinbeijing

ObservationSociety

an artist/curator initiated art space in Guangzhou

frieze

成立于1991年,伦敦

e-flux

2008年12月出版第一期杂志,由Julieta Aranda, Brian Kuan Wood, Anton Vidokle编辑

当代艺术与投资

成立于2007年1月,北京

DeerFang

artist in Beijing

DuanJianyu

artist in Guangzhou

LiuBo

artist in Wuhan

LiuDing

artist in Beijing

LiYu

artist in Wuhan

LiYu&LiuBo

artist duo in Wuhan

LiJuchuan

conceptual architect in Wuhan

LuZhengyuan

artist in Beijing

WangJianwei

artist in Beijing

PaulineYao

Curator in Beijing

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博文

两本书

《文化的食人癖:1998年第24届圣保罗双年展》


只要身处欧洲,我总会在当地美术馆的书店里留意Afterall展览历史丛书是否又有新的成员现身。2015年出版的《文化的食人癖:1998年第24届圣保罗双年展》是该系列丛书的第五本。与其说是在推荐这本出版物,不如说是在推荐这套每本以一个历史中的展览为研究对象的系列出版物,或者说是在推崇这套系列丛书所包含的对于展览作为一种创作语言和历史载体的意识和描述方法,深入研究和揭示展览对于人们体验、创作和讨论当代艺术的方式的塑造。每

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艺术

分类: Announcement
inToAsia: TBA Festival 2015
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APT8 ARTISTS

APT8 features more than 80 art

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艺术

分类: Announcement
TuesdaySeptember 15th
06:00pm 08:30pm
Daimler Contemporary Berlin (1st floor)
Symposium - Chinese contemporary art since 2000
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艺术

分类: Announcement

Symposium | Art Curatorship Now and Beyond | University of Melbourne

by Katrina Grant • September 8, 2015 • 0 Comments

 

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(2015-05-19 15:21)
标签:

杂谈

Reading the interactions between two Chinese art critics about the subject of institutional critique on their weichat posts dawns on me how ignorant these people are of such a term and their inability to see and to understand the complexity of such a term, the evolution of its essence and the aspirations it finally contains. They could only understand words as words and not beyond that. No imagination but only arrogance, believing that they know about everything and they are capable of making comments on such subject matters. It is just a laughing matter!
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(2015-05-19 15:08)
标签:

杂谈

Reading an interview an artist gave about her work in one of the national pavilions of this year's Venice Biennale and further about her entire practice, I suddenly found that she sounded more like a designer than an artist. Actually she could only be considered a designer at the best. I almost could not help but wanting to protest against her claim of being an artist! She went on about how she draws elements from various sources, to generate a new set of visuals, as if that were the sole purpose and ultimate goal. All she meant to do was to re-configure a certain number of existing systems of visual symbols related to a certain subject matter, mixing them up and creating a new set of somewhat familiar yet different visual symbols. As to why she has wanted to do that and why such a subject matter, she completely fails to account for. 
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艺术

分类: 艺术汇专栏

投入还是抽身而出,这不仅仅是一个关于参与与否的问题(3

卢迎华 

20141119日晚,OCAT图书馆举办了一场德国电影导演桃丽丝

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(2015-04-01 08:29)
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杂谈

首都机场的国际出行安检系统今早完全混乱无序,人流量超过负荷,没有任何秩序可言,只把两个基层人员放在面对旅客的层面上工作,工作内容仅限于将有拉杆箱和无拉杆箱的旅客分开,使得几个有拉杆箱的通道同时要承担不断从各个入口涌进的人流,毫无秩序可言,基层人员只在流动的无拉杆箱旅客的队列上,貌似工作在起效果,无视几条完全不动的通道和不断加涌进来的乘客,她们对旅客回应粗暴简单,毫无同情之心,只以没办法和翻白眼等典型的官僚面目面对心焦的人群,甚至扬言误了飞机不关她事,管理层没有人出来面对或疏导!对于情况的预估为零,只空用话筒喊大家遵守秩序却毫无管理的意识和能力。一个半小时后在过安检机器时一位领导样子的人安抚大家说作为领导他还要来帮忙检查身体,可这是他的严重失职,把责任归咎于人流过多而不甄别和预计现场情况,引起众怒后无能陪笑脸道歉,奉劝大家无急事不要飞国际,飞行可能安全,可有被安检气死急死等死的高危!

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杂谈

“人们如此缺乏安全感、洞察力和想像力,以致于获取合法性并且获得阵地的途径依旧简单粗暴,通过一种自我赋予的所谓的年轻的先进性来试图取代和预告老一辈的退场,殊不知这些所谓的年轻一代在还未被完全推送到前台之前就已经可以被遇见他们自身的命运了:用年龄和皮肤获得的舞台只会是转瞬即逝的。你没看到春天来了,冬天就已经不远了吗?!”

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